°1993, Antwerp, BE
Lives and works in Antwerp
Graduated from the Royal Academy of Fine Arts Antwerp in 2018.
Charline Tyberghein paints in the wake of the Brussels surrealists.
Her works are witty, disrupted interventions. They are a joy to look at, playful in their simplicity, but her kind of humor is never without obligations. Her paintings are, as it were, crafted.
Her works have been presented in institutions such as the Kunsthalle Bielefeld in Germany, M HKA Antwerp, Beursschouwburg in Brussels. Her work is in the collections of the M HKA Antwerp, Vlaamse Gemeenschap and Belfius collection.
Charline Tyberghein is represented by the gallery.
°1993, Antwerp, BE
Lives and works in Antwerp
Graduated from the Royal Academy of Fine Arts Antwerp in 2018.
Charline Tyberghein paints in the wake of the Brussels surrealists.
Her works are witty, disrupted interventions. They are a joy to look at, playful in their simplicity, but her kind of humor is never without obligations. Her paintings are, as it were, crafted.
Her works have been presented in institutions such as the Kunsthalle Bielefeld in Germany, M HKA Antwerp, Beursschouwburg in Brussels. Her work is in the collections of the M HKA Antwerp, Vlaamse Gemeenschap and Belfius collection.
Charline Tyberghein is represented by the gallery.
Selected Solo Exhibitions |
|
| 2022 | 'Solo booth at Artissima Art Fair', by Gallery Sofie Van de Velde, Artissima, Torino, IT |
| 2021 | L21 Gallery, Palma de Mallorca, ES |
| 2020 | 'Many drops make a puddle', Castor Gallery, London, UK |
| 2019 | 'Born to be mild', Gallery Sofie Van de Velde, Nieuw-Zuid, Antwerp, BE |
| 2018 | 'One Trick Phony, Next Door', Keteleer Gallery, Antwerp Belgium |
| 2017 | 'ABC Lounge Klub', ABC Klubhuis, Antwerp, BE |
Selected Group Exhibitions |
|
'Making Fun', De Warande, Turnhout, BE |
|
| 2021 | Booth ARCO Madrid, L21 Gallery, Madrid, ES |
| 2020 | 'L'heure bleue', PLUS-ONE Gallery & Gallery Sofie Van de Velde, Antwerp, BE |
| 2019 | 'My biggest small', Showhouse JayJay, Antwerp, BE |
| 2018 | 'Cook it, boil it, bake it, or forget it', Graduation Show KaskA and Sint Lucas, curated by Nadia Bijl, Zuiderpershuis, Antwerp, BE |
Prizes |
|
| 2021 | Acquisition for the Museum of Contemporary Art Antwerp, M HKA, BE |
| 2019 | Acquisition for the Belfius collection |
| 2018 | KOMASK prize, best young European Painter |
Charline Tyberghein
Known Nonsense, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
This Show is Cursed!, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
The Weirdest Thing Happend, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
Eat My Hat, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
Where do we go from here, 2022
Oil and acrylic on canvas
150 x 140 cm
Charline Tyberghein
Yellow bellied buddies, 2021
Oil and acrylic on canvas
160 x 140 cm
Charline Tyberghein
Not so scary now, 2022
Acrylic on canvas
100 x 80 cm
Charline Tyberghein
Too close for comfort, 2022
Acrylic on canvas
100 x 80 cm
Charline Tyberghein
See how it flies, 2022
Acrylic on canvas
100 x 80 cm
Charline Tyberghein
Tardy to the party, 2021
Oil and acrylic on panel
40 x 60 cm
Charline Tyberghein
In my defence, I have none, 2021
Oil and acrylic on panel
40 x 60 cm
Charline Tyberghein
(Get on) Like a house on fire, 2021
Oil and acrylic on canvas
160 x 140 cm
| 2019 | The paintings of Charline Tyberghein are witty, disrupted interventions. They are a joy to look at, playful in their simplicity, but her kind of humor is never without obligations. Her paintings are, as it were, crafted. She cherishes the belgitude. While painting in the wake of the Brussels surrealists her work is visually very pleasing, but there is an edge. She strives to tilt this aesthetic by confusing her paintings with common themes. They are populated by daily objects and symbols. In this way she generates a shift from art object to object of use. They hold ground between the everyday and the unattainable. You could best describe them as reading exercises: the surfaces of her paintings wrestle with the meaning underneath. Object and language, the material and the mental, intertwine and become confused. They are complex while looking dumbly simple. While exhibiting, Charline seeks a connection with the surrounding space. Her paintings refer to the old trompe l’oeil techniques; they are often misleading optical illusions of space and perspective, but the actual surface is flat. She seeks for a way to inject sculptural elements into the two-dimensional paintings, to literally give them a new dimension. |
Charline Tyberghein
Known Nonsense, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
This Show is Cursed!, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
The Weirdest Thing Happend, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
Eat My Hat, 2022
Oil and acrylic on canvas
120 x 110 cm
Charline Tyberghein
Where do we go from here, 2022
Oil and acrylic on canvas
150 x 140 cm
Charline Tyberghein
Yellow bellied buddies, 2021
Oil and acrylic on canvas
160 x 140 cm
Charline Tyberghein
Not so scary now, 2022
Acrylic on canvas
100 x 80 cm
Charline Tyberghein
Too close for comfort, 2022
Acrylic on canvas
100 x 80 cm
Charline Tyberghein
See how it flies, 2022
Acrylic on canvas
100 x 80 cm
Charline Tyberghein
Tardy to the party, 2021
Oil and acrylic on panel
40 x 60 cm
Charline Tyberghein
In my defence, I have none, 2021
Oil and acrylic on panel
40 x 60 cm
Charline Tyberghein
(Get on) Like a house on fire, 2021
Oil and acrylic on canvas
160 x 140 cm
