John Stezaker

°1949

exhibitions

2016

John Stezaker in dialogue with Marcel Broodthaers, Gallery Sofie Van de Velde, Antwerp, BE
John Stezaker, Sidney Cooper Gallery, Canterbury, UK

2015

The Truth of Masks, Richard Gray Gallery, Chicago, USA [cat]
Touch, The Approach at Independent Régence, Brussels, Belgium
Film Works, De La Warr Pavilion, Bexhill On Sea, UK
The Projectionist, The Approach, London, UK
Collages, The Netherlands Fotomuseum, Rotterdam, The Netherlands

2014

John Stezaker: New Silkscreens, Petzel Gallery, New York, USA
John Stezaker: Collages, Anna Schwartz Gallery, Sydney, Australia

2013

John Stezaker, Centre de la Photographie Genève, Geneva, Switzerland
John Stezaker: Working from the Collection, Les Rencontres Arles Photographie, Arles, France
Crossing Over, Capitain Petzel, Berlin, Germany
Blind, The Approach, London, UK
John Stezaker: One on One, Tel Aviv Museum of Art, Israel [cat]
Nude and Landscape, Friedrich Petzel Gallery, New York, USA

2012

Galerie Gisela Captain, Cologne, Germany
Marriage, curated by Annemarie Sawkins, Haggerty Museum of Art, Marquette University, Milwaukee, USA

2011-12

John Stezaker, Whitechapel Gallery, London, UK, touring to MUDAM, Luxembourg, and Kemper Art Museum, St. Louis, USA [cat]

2011

John Stezaker, Friedrich Petzel Gallery, New York, USA
The Nude and Landscape, curated by Sid Sachs, University of The Arts, Philadelphia, USA

2010

John Stezaker: Silkscreens, Capitain Petzel, Berlin, Germany
Lost Images, Kunstverein Freiburg, Germany
Tabula Rasa, The Approach, London, UK

2009

John Stezaker, Richard Grey Gallery, Chicago, USA
John Stezaker, Galerie Gisela Capitain, Cologne, Germany
John Stezaker, Friedrich Petzel, New York, USA

2008

Masks & Shadows, A Palazzo Gallery, Brescia, Italy [cat]
John Stezaker, Galerie Dennis Kimmerich, Düsseldorf, Germany
Fumetti, GAK- Gesellschaft für Aktuelle Kunst Bremen, Germany [cat]

2007

Two part show: Marriages, Karsten Schubert (Sep-Nov), London, Masks, The Approach,
London, UK (Oct-Nov) [cat]
John Stezaker, The Rubell Family Collection, Miami, USA [cat]
John Stezaker, Stills Gallery, Edinburgh, Scotland
John Stezaker, Open Eye Gallery, Liverpool, UK
John Stezaker, Project Room, Yvon Lambert, Paris, France

2006

John Stezaker, The Approach, London, UK
John Stezaker, Galerie Dennis Kimmerich, Düsseldorf, Germany
John Stezaker, Richard Telles Fine Art, Los Angeles, USA
Bridges and other Metaphors, Norwich Gallery, Norwich, UK
John Stezaker, White Columns, New York, USA

2005

Archiv & Erzählung [Archives and Narration]: John Stezaker and T.J. Wilcox, Kunstverein
Muenchen, Munich, Germany

2004

The Third Person Archive and Other Works, The Approach, London, UK

2001

The Holy Land Series, Wigmore Fine Art, London, UK

1999

Angels, Portfolio Gallery, Edinburgh, Scotland

1996

Garden, Cubitt Gallery, London, UK

1991

Care & Control, Salama-Caro Gallery, London, UK

1990

Film Still Collages,  Friedman-Guinness Gallery, Frankfurt, Germany [cat.]

1989

John Stezaker: New Work, Salama-Caro Gallery, London, UK [cat.]
John Stezaker, Glenn Dash Gallery, Los Angeles, USA

1984

John Stezaker, Lisson Gallery, London, UK

1979

Galerie Éric Fabre, Paris, France
Werke 1973-1978, Kuntsmueum Luzern, Kunstmuseum, Lucerne, CH [cat.]
Ikon Gallery, Birmingham, UK
The World Made Flesh, The New ‘57 Gallery, Edinburgh, Scotland [cat.]

1978

Fragments, Photographer’s Gallery, London, UK [cat.]
Collages, 1977-1978, Ikon Gallery, Birmingham, UK [cat.]
Southampton City Museum, Southampton, UK

1977

Dream Allegories. John Stezaker Collages 1976-1977. Nigel Greenwood Gallery, London,
UK [cat.]
Galerie Éric Fabre, Paris, France
Schema Gallery, Florence, Italy
Spectro Arts, Newcastle, UK

1976

Nigel Greenwood Gallery, London, UK
Trois Oeuvres [Three Works], Galerie Éric Fabre, Paris, France [cat.]

1975

Nigel Greenwood Gallery, London, UK
Galerie Éric Fabre, Paris, France

1974

Galerie Decembre, Munster, Germany
Galleria Lia Rumma, Rome, Italy
Galleria Lia Rumma, Naples, Italy

1973

The Museum of Modern Art Oxford, Oxford, UK

1972

Beyond Art for Art’s Sake: a Propus Mundus, Nigel Greenwood Gallery, London,
UK[cat.]

1970

Works, 1969-1971, Sigi Krauss Gallery, London, UK [cat.]

Group Exhibitions

2016

Fractured, Simon Lee Gallery, Hong Kong, China
The Stolen Image, Fondazione Prada, Milan, Italy
Collage: Moving Beyond Paper, Krannert Art Museum, University of Illinois at Urbana-Champaign, USA
On the immense and the numberless, David Risley Gallery, Copenhagen, Denmark
Terrain: Land Into Art, Hestercombe House & Gardens, Taunton, UK

2015

An Unfixed Image: The Photographic Across Media, The College of New Jersey Art Gallery, Trenton, USA
Walkers: Hollywood Afterlives in Art and Artifact, Museum of the Moving Image, New York, USA
Body Building, Richard Gray Gallery, Chicago, USA
Image Search, Hannah Hoffman Gallery, Los Angeles, USA
Individual Stories: Collecting as Portrait and Methodology, Kunsthalle Wien, Wien, Austria
Picasso in Contemporary Art, Deichtorhallen Hamburg, Hamburg, Germany; travelled as After Picasso: 80 Contemporary Artists, Wexner Center for the Arts, Columbus, Ohio, USA
RAY 2015, Frankfurt, Germany
Trial / Error / Art, The Holden Gallery, Manchester, UK
Blow Up, C|O Berlin, Berlin, Germany
FOUND, The New Art Gallery Walsall, Walsall, UK

2014-15

Institute of Sexology, Wellcome Collection, London, UK
MIRRORCITY, Hayward Gallery, London, UK

2014

19th Biennale of Sydney: You imagine what you desire, Sydney, Australia
Ruin Lust, Tate Britain, London, UK
…all silent but for the buzzing… , Curated by Curating Contemporary Art MA programme, Royal College of Art Galleries, London, UK
The Mysterious Device Was Moving Forward, Longhouse Projects, New York

2013

The Age of Collage, gestalten space, Berlin, Germany
The Edge of Painting, curated by Tess Jaray, The Piper Gallery, London, UK
Works on Paper, i8 Gallery, Reykjavik, Iceland
Orpheus Twice, curated by Vincent Honore, David Roberts Art Foundation, London, UK (forthcoming)
L’image Papillon, Musee d’Art Moderne Grand-Duc Jean, Luxembourg
Frank Egloff & John Stezaker: Visible Merge, Barbara Krakow Gallery, Boston, USA
Crystal Maze IV- 1+ 2+ £ = 3, as part of Nouveau Festival, The Centre Pompidou, Paris, France
Only parts of us will ever touch each other, Galerie Thaddaeus Ropac, Paris, France
The Feverish Library (continued), Capitain Petzel, Berlin, Germany
The Space Between, curated by Michael Bracewell, Karsten Schubert, London, UK

2012

D’après Giorgio a cura di Luca lo Pinto, Fondazione Giorgio e Isa De Chirico, Rome, Italy
Deutsche Borse Photography Prize, Photographer’s Gallery, London, UK
Deutsche Borse Photography Prize 2012, The Cube (Deutsche Borse Headquarters), Frankfurt/Eschborn; C/O Berlin, Germany
Flores; Abismo; Parataxis, curated by Carlos- Fernandez-Pello, La Casa Encendida, Madrid, Spain
Out of Focus, Saatchi Gallery, London, UK
Remix: Selections from the INternational Collage Cernter, Daum Museum of Contemporary Art, Sedalia, USA
Collages, curated by Timothee Chaillou, Galerie Thaddaeus Ropac, Paris, France

2011

Transmitter / Receiver: The persistance of collage, Middlesbrough Institute of Modern Art, Middlesbrough, UK
Anti-Photography, curated by Duncan Wooldridge, Focal Point Gallery, Southend-on-Sea, UK
Versicherungsschatz, curated by David Rimanelli, Kimmerich, New York, USA
Make Up, curated by Mariuccia Casadio, Appalazzogallery, Brescia, Italy
The boy who robbed you a few minutes before arriving at the ball, curated by Regina Fiorito and Kelley Walker, Galerie Gisela Capitain, Cologne, Germany
The Draw Bridge, Q Forum, London, UK

2010

FACES with: M.Anzeri, H.Bart, V.Carrubba, J.Kraijer, W.Mutu, J.Stezaker, Monica De Cardenas Galleria, Milan, Italy
HEAD, The Approach, London, UK
Photomonth in Krakow, Galeria Pauza, Poland
The Page, curated by John Stezaker and Matthew Higgs, Kimmerich, New York, USA
The Rustle of Language, Galleria Francesca Kaufmann, Milan, Italy
HYPERBOREAN MANNERS, Rob Tufnell at 1 Sutton Lane, London, UK

2009

Taj Mahal Travellers, Galerie Nordenhake, Stockholm, Sweden
The Quick and The Dead, Walker Art Gallery, Minneapolis, USA
Source Codes, Sprüth Magers, Berlin, Germany
Le sang d’un poète, FRAC des Pays de la Loire, France
Propaganda, Rodeo Gallery, Istanbul
In The Pines, David Risley Gallery, Copenhagen
William Horner & John Stezaker, The Russian Club Gallery, London, UK

2008

Not so Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan, New York, USA
Collage: The Unmonumental Picture, New Museum, New York, USA
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, UK
Past-Forward, 176, The Zabludowicz Collection, London, UK
Cohabitation: 13 Artists and Collage, Francesca Kaufmann, Milan, Italy

2007

Panic Attack, Barbican Art Gallery, London, UK
Strange Events Permit Themselves the Luxury of Occurring: selected by artist Steven Claydon, Camden Arts Centre, London, UK

2006

Dereconstruction, curated by Matthew Higgs, Barbara Gladstone Gallery, New York, USA
Figures of the Player: The paradox of the actor, Collection Lambert en Avignon, Avignon,
France
A Season in Hell, Danielle Arnaud Gallery, London, UK
World Gone Mad: Surrealist Returns in Recent British Art, Herbert Read Gallery,
Canterbury; travelling to Castlefield Gallery, Manchester; Limehouse Arts Foundation,
London, UK [cat.]
The Glass Bead Game, Vilma Gold Project Space, Berlin, Germany
Tate Triennial 2006 –New British Art, Tate Britain, London, UK [cat.]

2005

TIME LINES, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
Cut, The Approach, London, UK
1979, Bloomberg Space, London, UK
Girls on Film, Zwirner & Wirth, New York, USA
Collage, Signs & Surfaces, Pavel Zoubok Gallery, New York, USA
Mourning, Sies & Hoeke, Düsseldorf, Germany
RCA print folio, Royal College of Art, London, UK

2004

Collage, Bloomberg Space, London, UK
Je t’envisage, La disparition du portrait, Musee de L’Elysee, Lausanne, France
Cara a Cara, Culturgest, Lisbon, Portugal
About Face, Hayward Gallery, London, UK
Future Face, Science Museum, London, UK
Portraits of Non-Humans, David Risley Gallery, London, UK
Polaroid, 39 Gallery, London, UK

2003

Ex-press, Royal College of Art, London, UK
Please Take One, 39 Gallery, London, UK

2002

Life is Beautiful, Laing Art Gallery, Newcastle, UK [cat.]

2000

The British Art Show 5, City Art Centre, Edinburgh, Scotland; travelling to Collective Gallery; Dean Gallery; Fruitmarket Gallery; Royal Botanic Gardens; Scottish National Gallery of Modern Art; Stills; Talbot Rice Gallery, Edinburgh, Scotland; John Hansard Gallery; Millais Gallery, Southampton Institute; Southampton City Art Gallery, Southampton, England; Centre for Visual Arts; Chapter Arts Centre; Fotogallery; National Museum & Gallery, Cardiff, Wales; Birmingham Museum and Art Gallery; Ikon Gallery, Birmingham, England [cat.]

1999

23rd Ljubljana International Biennial of Graphic Art, British Section, Mednarodni grafični
likovni center, Ljubljana, Sloevina
River Deep, Mountain High, Gallery Westland Place, London; travelling to University of
Dundee, Duncan and Jordanston Gallery, Dundee, Scotland

1998

American and European Photo-art, Larem Kloker Gallery, Vienna, Austria
2nd Shoreditch Photography Biennial, London, UK
Chemical Traces/ Photography and Conceptual Art, 1968-1998, Ferens Art Gallery, Hull City Council, Kingston upon Hull; travelling to Leeds City Art Gallery, Leeds, UK [cat.]

1997

Pictura Brittanica: Art from Britain (British Council), Sydney Museum of Contemporary
Art, Sydney, Australia; travelling to Art Gallery of South Australia, Adelaide, Australia;
Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand
Strange Days, Contemporary British Photography, Galleria Gian Ferrari, Milan, Italy
[cat.]
Sad, Gasworks, London, UK
The Quick and The Dead, Royal College of Art, London, UK
The Impossible Document: Photography and Conceptual Art in Britain 1966-1976,
Cameraworks Gallery, London, travelling to Cambridge Darkroom Gallery, Cambridge,
UK [cat.]
Icons, Touring, Tokyo, Kyoto, Japan and Hong Kong, China
Life/Live: Young British Art, Musee d’Art Moderne de la Ville de Paris; travelling to
Centro Cultural de Belém, Lisbon, Portugal [cat.]
Various group shows, Bank London, UK (1996, 1997, 1998)

1996

The Body, Touring Exhibition Canada, Various locations

1995

Elvis + Marilyn 2 x Immortal, The Institute of Contemporary Art, Boston, Massachusetts; The Contemporary Arts Museum, Houston, Texas; The Mint Museum of Art, Charlotte, North Carolina; The Cleveland Museum of Art, Cleveland, Ohio; The Jacksonville Museum of Contemporary Art, Jacksonville, Florida; The Portland Museum of Art, Portland, Oregon; The Philbrook Academy, Tulsa, Oklahoma; The Columbus Museum of Art, Columbus, Ohio; The Tennessee State Museum, Nashville, Tennessee; The San Jose Museum of Art, San Jose, California; The Honolulu Academy of Art, Honolulu, Hawaii; Hokkaido Obihiro Museum of Art, Hokkaido, Japan; Daimaru Museum, Umeda-Osaka, Japan; Takamatsu City Museum, Takamatsu, Japan; Sogo Museum of Art, Yokohama, Japan; Mitsukoshi Museum of Art, Fukuoka, Japan
The Curator’s Egg, Anthony Reynolds Gallery, London, UK

1994

Who’s Looking at the Family, Barbican Art Gallery, London, UK

1992

Flora Photographica, Serpentine Gallery, London, UK

1990

Art Conceptuel, Formes Conceptuelles, Galerie 1900/2000, Paris, France

1987

Altered States, Kent Fine Art, New York, USA  [cat.]
Multiple vision: Ron Haselden, Colin McArthur, John Stezaker, Paul Wombel,Cambridge Darkroom Gallery, Cambridge, UK

1984

1984: An Exhibition, Camden Arts Centre, London, UK [cat.]

1983

Geometry of Desire, Galerie Venster, Rotterdam, The Netherlands

1982

Simulacra, Riverside Studios, London, UK
Aperto, XL, Biennale di Venezia, Venice, Italy [cat.]
Close to the Edge, White Columns, New York, USA

1980

Hayward Annual, Hayward Gallery, London, UK

1979

Hayward Annual, Hayward Gallery, London, UK [cat.]
Un certain art anglais…, ARC, Musee d’Art Moderne de la Ville de Paris, Paris, France
JP2, Palais des Beaux-Arts, Brussels, Belgium

1978

Art for Society, Whitechapel Art Gallery, London, UK

1977

British Art, Palais des Beaux Arts, Brussels, Belgium

1976

Art Inglese Oggi, Palazzo Reale, Milan, Italy
Times, Words and the Camera,  Akademische Druck-U, Graz, Austria

1975

9th Biennale de Paris, Paris, France

1974

Project 74, Kunsthalle Köln, Cologne, Germany
Critic’s Choice, Tooth’s Gallery, London, UK
Beyond Painting and Sculpture…: works bought for the Arts Council by Richard Cork, Arts
Council touring Exhibition [cat.] toured Leeds City Art Gallery, Leeds; travelled to
Walker Art Gallery, Liverpool, and Arnolfini Gallery, Bristol, UK

1972

A Survey of the Avant-Garde in Britain, House Gallery, London, UK
The New Art, Hayward Gallery, London, UK [cat.]

1971

The Wall Show, Lisson Gallery, London, UK

1970

3 Schools Exhibition, Royal Academy of Arts, London, UK

1969

Three Person Show, Central Collegiate Building, University College London, UK

Bibliography

Selected Exhibition Catalogues

2015

The Truth of Masks, Chicago: Richard Gray Gallery, published on the occasion of The Truth of Masks, Richard Gray Gallery, Chicago, USA

2013

John Stezaker: One on One, London: Ridinghouse, published on the occasion of John Stezaker: One on One at Tel Aviv Museum of Art, Israel

2010

John Stezaker: Silkscreens, London: Galerie Gisela Capitain, Friedrich Petzel Gallery, The Approach, in association with Ridinghouse

John Stezaker, London: Ridinghouse, in association with Whitechapel Gallery, Mudam Luxembourg, and Mildred Lane Kemper Art Museum

2008

De Vries, Janneke, et al. Fumetti, Cologne: Verlag der Buchhandlung Walter Konig, published on the occasion of John Stezaker, “Fumetti”, GAK Gesellschaft fur Aktuelle Kunst

2006

O’Reilly, Sally, Johanna Malt and JJ Charlesworth. World Gone Mad: Surrealist Returns
in Recent British Art, London: Castlefield Gallery Publicatons

2005

Collage Signs & Surfaces, New York, Pavel Zoubok Gallery

2000

Higgs, Matthew et al. The British Art Show 5, London: Hayward Gallery Publishing;
Distributor, North and South America and Canada: University of California Press;
Distributor, Elsewhere: Cornerhouse Publications

1998

Mellor, Alan. Chemical Traces: Photography and Conceptual Art, 1968-1998, Kingston
upon Hull: Ferens Art Gallery; Kingston upon Hull City Museums & Art Gallerie
Brooks, Rosetta. Altered States, New York: Kent Fine Art; New York: ZG Publications

1997

Bickers, Patricia, Stephen Snoddy and Bernice Murphy, Pictura Britannica: Art from
Britain, Sydney; Museum of Contemporary Art Sydney
Roberts, John (Ed.). The Impossible Document: Photography and Conceptual Art in
Britain, 1966 – 1976, London: Camerawork
Williams, Gilda, Strange Days: British Contemporary Photography, Milan: Charta
Obrist, Hans Ulrich (Ed.), Life/Live: Young British Art, Paris: Musee d’Art Moderne de
la Ville de Paris

1995

Büchler, Pavel and Nikos Papastergiadis (Eds.) Random Access: on crisis and its
metaphors, London: Rivers Oram Press; Concord, MA: Paul And Company

1984

Petherbridge, D. and J. Richardson, 1984: An Exhibition, London: Camden Arts Centre

1979

Ncis, R. Fra, Hayward Annual 1979, London: Hayward Gallery
Fuchs, Rudolf Herman, Languages: an exhibition of artists using word and image, London:
Arts Council of Great Britain

1976

Reichardt, Jascia, Time, Words and the Camera, British Council, Akademische Druck-U.
Verlagsabstalt, Graz

1973

Cork, Richard, Beyond Painting and Sculpture…: works bought for the Arts Council by Richard Cork, London: Arts Council of Great Britain

1972

Campbell, Robin and Anne Seymour, The New Art, Hayward Gallery. London: The Arts Council of Great Britain

Selected Surveys and Collections

publications

2016

Bate, D., Art Photography, London: Tate Publishing
Bush, D., Hellige, H., Klanten, R. (eds.), The Age of Collage: Contemporary Collage in Modern Art Vol. 2, Berlin: gestalten

2014

AS EXCITING AS WE CAN MAKE IT: IKON IN THE 1980s, Birmingahm: Ikon

2013

Higgins, J., Why it does not have to be in focus: Modern photography explained, London: Thames & Hudson
Bush, D., Hellige, H., Klanten, R. (eds.), The Age of Collage: Contemporary Collage in Modern Art, Berlin: gestalten

2009

Clearwater, Bonnie, Celebrity Equinox, International Corporate Art, p. 14

2008

Craig, Blanche, ed. Collage: Assembling Contemporary Art, London: Black Dog Publishing

2005

Stillness and Time: Photography and the Moving Image, Photoworks, London

2004

Taylor, Brandon, Collage: The Making of Modern Art, London: Thames and Hudson

2003

Campany, David, Art and Photography, London and New York, Phaidon Press

2002

Bayrle, Thomas, Vitamin P: New Perspectives in Painting, London and New York:
Phaidon Press

2000

Patrizio, Andrew, The Tree Series, Two Nine Two : Essays in Visual Culture, Edinburgh:
Faculty of Art & Design, Edinburgh College of Art

1998

Roberts, John, The Art of Interruption – Realism, Photography and the Everyday,
Manchester and New York: Manchester University Press

1995

Pretext: Heteronyms, ed. Juliet Steyne, Rear Window Arts Trust, London

1994

Who’s Looking at the Family, ed. Val Williams, Barbican, London
De Paoli, Geri & WendyMcDaris, Elvis & Marilyn: 2 x Immortal, New York: Rizzoli
Walker, John Albert, Art in the Age of Mass Media, Boulder: Westview Press
Ewing, William, The Body: Photographs of the Human Form, San Francisco: Chronicle
Books

Selected Interviews, Articles and Reviews

2016

Readings, Harpers Magazine, March 1
Portrait Collages, Quaint Quarterly, Issue 03, March 1, pp. 83-93

2015

Cristello, Stephanie, JOHN STEZAKER // THE TRUTH OF MASKS, The Seen, December 1
Forrest, Nicholas, John Stezaker: The Projectionist, BLOUIN ARTINFO, March 19
Da Silva, Jose, Contemporary Art Finds Many Homes in the Regions Outside London, The Art Newspaper, May 1
Sherwin Skye, John Stezaker, Bexhill-on-Sea, The Guardian, May 10
Cumming, Laura, John Stezaker: Film Works Review – An Overwhelming Onrush of Images, The Observer, April 26
John Stezaker: The Projectionist at The Approach, The Upcoming, March 14
Anything but “cool”, L’Officiel, December, pp. 64-75

2014

Collages, Kunstbeeld, No. 9, p. 36
Independent Art Fair: John Stezaker at The Approach, Kolaj, Issue 8, p. 21
Rubio, Lorraine, artnet Asks: Conceptual Artist John Stezaker, artnet, October 31
Pietsch, Hans. Bilderfinder, Art Magazin, February
John Stezaker at The Approach, Kolag, July
Bailey, Stephanie, John Stezaker, Ocula, July 31
Cutting a Photograph Can Feel Like Cutting Through Flesh, The Guardian, March 28
Zhong, Fan, 9th Cinema Verite, W Magazine, October
Baker, Harriet, Top 10 Collage Artists: Hannah Hoch to Man Ray, AnOther Magazine, January 14

2013

Seams & Interruptions, Interview by David Campany, Frieze Masters, No. 2, pp. 80-87
Who Would Believe It? Nicolas Roeg and John Stezaker in conversation,Frieze, No. 158, October, pp. 236-243
Griffin, Jonathan, The Seeds of Destruction, Tate ETC., Autumn, pp. 44-49

2012

Brown, Mark, Deutsche Börse photography prize won by John Stezaker, guardian.co.uk, 3 September
John Stezaker wins Deutsche Börse photography prize, BBC News, Entertainment & Arts, 4 September
Taylor, Allison, John Stezaker: Educator’s Guide, Mildred Lane Kemper Art Museum, January, pp. 2-6
John Stezaker’s uncanny couplings, phaidon.com, April 19

2011

Darwent, Charles, John Stezaker, Whitechapel Art Gallery, London,Independent on Sunday, 30 January
McLean-Ferris, Laura, Stezaker: King of cut and paste, The Independent, 7 February
Dillon, Brian, John Stezaker: What a carve up, The Guardian, 29 January
Hodgson, Francis, Puns in the language of pictures, Financial Times, 9 February
Cumming, Laura, John Stezaker; Moving Portraits, The Observer, 30 January

2010

Tuck, Mike, The Man Who Would Be King, Artslant, www.artslant.com, March
Herbert, Martin, Third Life, Artforum, Issue XLVIII, No. 8, p.160-167
Coomer, Martin, In the studio: John Stezaker, Time Out, February 18-24
Sherwin, Skye, Artist of the week 72: John Stezaker, guardian.co.uk, www.guardian.co.uk,
Thursday 28 January

2009

Roulo, Robyn Farrell, John Stezaker, Art Slant
Wilson, Michael, Reviews: John Stezaker, Artforum, May p.235
Johnson, Ken, John Stezaker, The Bridge, Weekend Arts, The New York Times, March
20th
Galleries-Chelsea John Stezaker, The New Yorker, March 23rd

2008

The Power 100, Art Review, October. Front cover and interview p.94-5, images
throughout p.107, p.123, p.143, p.148
Collage; Assembling Contemporary Art, Black Dog Publishing, front cover and A
Conversation with John Stezaker by David Illington p.20-1. Images p.7, p.42, p.43, p.
81, p.91, p.92
Casadio, Mariuccia, Cool Europe, Italian Vogue issue 690, February
Luke, Ben (Interviewer) New Work; John Stezaker, Art World, p.62-7. Issue 2, image on
front cover

2007

Green, David, John Stezaker, Source Magazine, Issue 50, p.8-19
Campany, David, Recent Work: John Stezaker, Photoworks, May/October, p.12-19
Marsh, Andrew, Reviews: John Stezaker, Flash Art, Vol.XL, No.252, February, p.119

2006

Núñez-Fernández, Lupe, Out of the Shadows, Art Review, Vol. 62, March, p. 76-79
Kersting, Rita, Best of 2006, Artforum, December

2005

Bracewell, Michael (Interviewer). Demand the Impossible, Frieze, No. 89, p. 88-93
Falconer, Morgan. Contemporary Art, Burlington Magazine, Vol. 147, No. 1223, Feb,
p. 130-132
Slyce, John, John Stezaker, Art Monthly, No. 282, Dec. 2004-Jan. 2005, p. 35-36
John Stezaker, The Approach, London, Art In America

2004

Slyce, John, John Stezaker, The Approach, London, Art Monthly, Dec-Jan, No.282
Herbert, Martin, John Stezaker, The Approach, Time Out, No.1789
Pethick, Emily, John Stezaker, The Approach, Critics picks, Artforum.com,
www.artforum.com
John Stezaker, The Guardian Guide, Saturday October 30 – Friday November 5

2001

Barro, David, Live in Your Head, Lapiz, Vol. 20, No.171, p. 76
Walker, John A. A Vexed Trans-Atlantic Relationship: Greenberg and the British, Art
Criticism, Vol. 16, No. 1, p. 44-61

2000

Hunt, Ian, British Art Show 5, Art Monthly, No. 236, May p. 30-33

1999

Mellor, David Alan, Fearful Symmetry: John Stezaker, Portfolio Magazine, No. 29, p.
34-39, 58-59

1998

Stahel, Urs. Aspects of Contemporary Swiss Art Photography, History of Photography, Vol.
22, No. 3, Autumn p. 254-260

1997

Angels, Coil, No. 5, p. 1-2.
Hatton, Brian. Paraphotography, Art Monthly, No. 207, p. 1-5

1993

Hall, Charles, Now Voyager, Art Review, Vol. 45, September, p. 48-49

1991

Dannatt, Adrian, John Stezaker, Flash Art, Vol. 24, No. 160, October, p. 114-117
Taylor, Brandon, Photo/Montage, AICARC: Bulletin of the Archives & Documentation
Centers for Modern & Contemporary Art, No. 29-30, p. 47-55

1988

Thomas, Michael J. The Game-as-Art Form: Historic Roots and Recent Trends, Leonardo
Vol. 21, No. 4, p. 421-423

1985

Brooks, R. An Art of Controlled Madness, Art And Text, No.17, p. 22-27

1983

Brisley, S. and John Stezaker, Polemics, Art Monthly, No. 62, p. 29-31
de Benito, Eduardo, Londres: Entre Aquí y La Nada, Lapiz Vol. 1, No. 2, p. 50-53
Hatton, Brian, Simulacra at the Riverside, Artscribe, No. 39, p. 30-34.
Newman, Michael, Simulacra, Flash Art, No. 110, p. 38-40

1977

Blakeston, O. Exhibitions Reviews, Arts Review, Vol. 29, No. 12, p. 398-399

1976

John Stezaker, Flash Art, No. 66-67, p. 23
Brooks, R. Please, No Slogans, Studio International Vol. 191, No. 980, p. 155-161
Morris, L. English Art Today, Data No. 20, March-April, p. 45-46, 53-59
Tagg, J. John Stezaker, Studio International, Vol. 191, No. 981, May-June p. 309-310
Taylor, Brandon, The Avant-Garde and St. Martin’s, Artscribe, No. 4, Sept-Oct, p. 4-7

1975

Politi, G. and J. -L Allexant. Paris Biennial, Flash Art, No. 58-59, Nov, p.14
Smith, P. Conversation with John Stezaker, Studio International, Vol. 189, No. 974,
March-April, p. 130-132

1973

Blakeston, O. John Stezaker, Nigel Greenwood, London, Arts Review, Vol. 30, No. 14, p.
388
Bowen, D. John Stezaker. Nigel Greenwood, London, Arts Review, Vol. 25, No. 22, p.
753.
Brooks, R. A Survey of the Avant-Garde in Britain, Flash Art, No. 39, Feb, p. 6-7
Brooks, R. Problem Solving and Question Begging: The Works of Art-Language and John
Stezaker, Studio International, No. 961, Vol. 186, Dec, p. 276-278.
Stezaker, John, John Stezaker: Premises, Flash Art, No. 40, March-May p. 16-18

Selected writings by the artist

2003

Buchler, Pavel (Ed.). Conversation Pieces, Manchester: i3 Publications

1996

Hetherington, Paul, et al (Eds). Issues in Art and Education: aspects of the fine art
curriculum, London: Tate Publishing in association with the Wimbledon School of Art